• 1958: Quevedo and theMetaphysicalConceit.
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21. The Holy Sonnets address God rather than an earthly female lover. But what links Donne's sacred poetry to his love poetry?

metaphysical conceit of holy sonnet 10.

Metaphysical Conceit in the Poetry of John Donne …

“A Quick and Rough Explication of Donne's Holy Sonnet 10.” Luminarium.
PERIPHRASIS (Grk. "roundabout speech"): The act of intentional circumlocution, expressing a short idea with many more words than is absolutely necessary, or expressing indirectly an idea that one could express briefly and simply. J.A. Cuddon cites an example the sentence, "Her olfactory system was suffering from a temporary inconvenience," instead of "her nose was blocked" (701). While writers after the modern period have generally considered concision and directness admirable traits in style, some rhetorical situations may call for periphrasis.

English Literature Essays: John Donne Conceit - …

Thus, she states that Lope de Vega’s andDonne’s belong to the first, visualisation stage, and the correspond to thesecondone, that of self-analysis, and and parallel the last stage, that of direct communication and prayer to God. Therefore, both Lope de Vega’s and John Donne’s sonnetsnot only share the same background, but also express similar feelingsandideas.


john donne Holy Sonnets ? | Yahoo Answers

Donne also writes of division: "I am a little world made cunningly / Of Elements, and an Angelike spright" (V.1-2). Elsewhere he mentions that "gluttonous death" will "instantly unjoynt / My body, and soule" (VI.4-5). The difference in tone is tremendous. Despite the anguish which encloses all of the Holy Sonnets, these moments do not seem fraught with emotion. The "unjoynting" of body and soul is viewed with neither fear nor desire. Sep's question is strong and not as rhetorical as it may seem: there is no implied answer, and his poems frequently include such plaintive questions as expressions of despair. He is looking for guidance. He could never write that his spirit was "Angelike"-in Sep's cosmos, man is too far below the angels for such an assertion to be possible.

It is still concerned, primarily, with the use of language, generally to communicate some meaning to the reader in a way that is undeniably linguistic in nature.

14/10/2009 · John donne Holy Sonnets

PEREVAL (Russian, "The Pass"): A group of Russian writers led by the critic Voronsk in 1923 and associated with the journal Red Virgin Soil (Harkins 279). This group of writers opposed the concept of enforced "proletarian literature" and the oppression of Communist conformity on writers--but the Russian authorities dissolved the group in 1932 and forced its members to merge with the Union of Soviet Writers (Harkins 279-80).

This is a typical metaphysical conceit.

The ejaculation, and I mean the flea’s words, of course,is a very skilful, humorous, rhetorical device, that consists in apersonificationof the flea and a dramatization of its death.

Is John Donne's Holy Sonnet XVIII a …

Concrete poetry is therefore an especially unique genre that draws upon and incorporates many different concepts from a variety of disciplines in order to fill in the gaps left when traditional grammar and syntax are eschewed....

The use of metaphysical conceit in John Donne’s poem …

perhaps the first in Polish poetry, Sep underwent his religious experiences in solitude and desertion, as an individual, and he underwent a realization of the insurmountable distance between the Creator and his creation .Internalization and individuation of the concept of God is expressed-paradoxically-most strongly and most painfully at the moment of conversion, when God himself is questioned. (194-197)

John Donne Sonnet 14 Essay | Bartleby

The body is also the primary locus of sin. Sin is a veritable obsession for both poets, though it occupies a different place in each poet's vision of human existence. For Sep, sin is the basic condition of human life. Man is "conceived in shame" (II.1), errs in the "leaps of youth" (I. 8), fights against his sinful body, and fears the "sad night" and "heavy shadow" encroaching "relentlessly" upon him (III.11-12). Donne believes that sin leads to death. The word crops up with alarming frequency in the Holy Sonnets. It is a bodily affliction: "my feeble flesh doth waste / By sinne in it, which it t'wards hell doth weigh" (I. 6-7). Hence it is another force pulling man downwards towards hell. Original sin "decays" man (II.3), whose higher faculties incur added responsibility for his sins: "Why should intent or reason, borne in mee, / Make sinnes, else equall, in mee more heinous ?" (IX. 5-6). As with Sep, free will is tormenting. Man brings about his own fall: "I am a little world , / black sinne hath betraid to endless night / My worlds both parts, and (oh) both parts must die" (V. 1-4, italics mine). These lines play with the notion of human passivity. The "little world" and "Angelike spright" give an impression of size and power, yet they are victims of betrayal, and the world is unfairly delivered to "endless night." The conjunction "but" underscores their weaknessp-clearly the "Angelike spright" is not strong enough to vanquish or outsmart sin. However, wouldn't a truly angelic spirit be immune to temptation? It would certainly be strong enough to withstand it. A passive notion of human will would partially acquit man of his sins, but this idea is rendered impossible even as it is articulated.