• American Regionalism:
  • Woodruff
  • Samples of American Scene Painting

After World War I many United States artists rejected the modern trends stemming from the Armory Show.

2: Mother Earth Laid Bare - 1938

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These discussions by Eli Siegel and Ellen Reiss in The Right of Aesthetic Realism to Be Known describe poetry technically: what makes for its music — and how the lives of poets comment importantly on the life of every person:

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In the wake of severe economic uncertainty, social upheaval and political shifts that followed the disastrous Great Depression, American artists maintained a commitment to projecting a very personal view.

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His last painting for the Saturday Evening Post was published in 1963, marking the end of a publishing relationship that had included 321 cover paintings.

by Eli Siegel by Eli Siegel Class taught by Ellen Reiss

He claimed that to look toward America for artistic inspiration was neither provincial nor close-minded; instead, it creates an independent style that is both personal and narrative.

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Wood argued that the Great Depression was good for American art because it forced many American artist’s who could not finance a trip abroad to rely on their own tradition, rather than that of Europe.

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Regionalist style was at its height from 1930 to 1935, and the best known artists were the so-called "Regionalist Triumvirate" of Grant Wood in Iowa, Thomas Hart Benton in Missouri, and John Steuart Curry in Kansas.

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Throughout the 1930s and into the early 1950s, many American artists sought an indigenous style of realism that would embody the values of ordinary people in the everyday working world.

Hedda Gabler and Realism | Dizcourse10

In art, regionalism is a realist modern American art movement wherein artists shunned the city and rapidly developing technological advances to focus on scenes of rural life.