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  • Gender Roles in "Antigone" ..

It is a story of the precedent set by the gods, versus the will and actions of the characters of Antigone.

Gender Roles in "Antigone" Essay - 521 Words - …

Womens Role in Macbeth and Antigone Essay - 1564 …

I believe Creon and Antigone, the main characters of the play to be tragic heroes.
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Thucydides was writing the history of the Peloponnesian Wars, not a social history. His interest was war and the military, so it is not surprising that women do not play a central role in his analysis. He does mention women in (431 BC), in which he has Pericles say on the subject of women: "Great will be your glory in not falling short of your natural character; and greatest will be hers who is least talked of among the men whether for good, or for bad." But Pericles loved a woman named Aspasia, who was undoubtedly talked about all the time since she was said to be a foreign woman of ill-repute. If Thucydides thought that women should strive to be "least talked about among men," did he mean that women should somehow be kept separate from men? Or just make themselves invisible in some way? In either case, these ancient histories do not shed very much light on women or their importance, which is to be expected considering that much of the history of ancient Greece and especially of Athens, involved so much warfare and the building of an imperialistic empire. Of course, this was the domain of men. Women were expected to give birth to future soldiers and citizens. Were women's lives really that one-dimensional? What was life like for an Athenian woman during the Classical Period?

SparkNotes: Antigone: Character List

In Antigone, written by Sophocles, there are two main characters, Antigone and Creon.
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A list of all the characters in Antigone

Both Antigone and Creon, the main characters in the play, could represent the tragic hero.
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Nevertheless, women did play a role in the Athenian , since "the very definition of an Athenian involved not only his being born of an Athenian father, but also of an Athenian mother properly given in marriage by her kin." Women also played a major part in the religious ceremonies of their , the , and of the , but only wives of Athenian citizens could participate in the Festival of the Thesmophoria. It must be stressed that the Athenian was both a citizen's club and a men's club, and by definition women fell outside both. Many women may have felt relieved that they could not play a role in deciding whether their sons, brothers, and husbands would go to war, but there must have been some who wished that they too could be citizens and have a say in the running of their city. In a lot of ways, even in her personal life, an Athenian woman was powerless. Did that include her marriage?

Antigone’s character is very intriguing strictly due to the fact that she keeps you guessing....
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Sophocles in his tragedy Antigone teaches about “morally desirable attitudes and behavior,” (4) and uses a woman as heroine and another woman in a supporting role to do most of the instructing of the audience in this regard....

The Antigone characters covered include: Antigone, Creon , ..

Martin Heidegger in “The Ode on Man in Sophocles’ Antigone” explains, in a rather involved theory, the destruction of Creon’s character: The conflict between the overwhelming presence of the essent as a whole and man’s violent being-there creates the possibility of downfall into the issueless and placeless: disaster....

The role of the chorus in Sophocles’ Ajax and Antigone; ..

Libya. With the Scythian campaign and the Libyan enterprise by Aryandes (4.145-205), Darius’s reign finally took up the offensive. In the process, the extent of territory in which Greeks had been made subject to the empire was considerably expanded. In this context, Herodotus presents the land and people of Libya (4.168-99) and adds a story about the founding of Cyrene (4.145-67; for Herodotus’s Libya see now generally Bichler, 2000b, pp. 61-64, 99-101; Sieberer, 1995, Karte 22; Liverani, 2000). As already in the dispatch of scouts to Greece, a woman played a crucial role in the preliminary stages of the war: Pheretime, the mother of Arcesilaus III, appealed to the Persians for help; her son was already obliged to pay tribute to Cambyses (4.165.2-3; 3.13.3-4). Here, too, a basic pattern of Herodotus’s idea of history is shown. Concerned with its privileges, the monarchy preferred the status of a vassal to the loss of power. That is precisely the way in which the Greek tyrants of Asia Minor will act in the context of the Scythian campaign (4.137.2-3). At the same time, Herodotus sees an unreasonable display of power in the Persian conquest. This is already evident in the lust for power of Aryandes, who aspired to be king and thus went to his doom (4.166). He tried, not only to conquer Barca and Cyrene, but also to subjugate all the Libyans. The Persian fleet played an important part in showing the dimensions of Persian power (4.167.1; 203.2), although it did not come into play as a military instrument. This recalls the Persian campaigns against the Massagetae, Ethiopians, and Scythians. Barca was captured successfully (4.200.1, 203.2), a step which presented a potential threat for Africa’s western regions. The danger was, however, averted; the Persians reached their westernmost point of advance at Euhesperides, a little beyond Barca (4.204). The extent of the planned expansion in Africa recalls later events in Europe, for which Herodotus also marks the westernmost point of Persian advance (9.14).

The role of the chorus in Sophocles’ Ajax and Antigone Martin, ..

Revealed in the play Antigone, the female character is [exposed as a rebellion] awkward against the government; but in the play Apology, a male philosopher is seen as a martyr for his belief in a true justice system.