• The Anti-Aesthetic: Essays on Postmodern Culture
  • Aesthetic Experience and Literary Hermeneutics.
  • Aesthetics - Wikipedia

Furthermore, I will argue that in the last section, Joyce is speaking of Stephen Dedalus and A Portrait of the Artist as a Young Man as his art.

The Literary Theory and Aesthetics of the Prague School.

Toward an Aesthetic of Reception. U of Minneapolis P, 1982.

In conclusion, the Esthetic Theory is Stephen's definition of the beautiful and of art.
Jerrold Levinson agrees that there is an important resemblance betweenthe contour of music expressive of an emotion and the contour oftypical behavioral expressions of that emotion. He objects, however,that such an account cannot be the whole, or even the most fundamentalpart of the story (Levinson 1996a, 2006b). He drives in a wedgeprecisely at the point where an appeal is made to the resemblancebetween the music and typical behavioral expressions. He asks what themanner and extent of the resemblance between the two must be,precisely, in order for the music to count as expressive of someemotion. After all, as is often said, everything resembles everythingelse in all sorts of ways, and so one could point out manyresemblances between a funeral march and an expression of joy, or forthat matter a cup of coffee and sadness. The resemblance theorist mustgive some account of why the funeral march, and not the cup of coffee,is expressive of sadness and not joy. Levinson claims that the obviousanswer here is that the funeral march is“readily-hearable-as” an expression of sadness. If this iscorrect, then the resemblance the music bears to emotional behavior islogically secondary—a cause or ground of its expressiveness. Theexpressiveness itself resides in the music’s disposition toelicit the imaginative response in us of hearing the music as aliteral expression of emotion. As a logical consequence, theimaginative experience prompted must include some agent whoseexpression the music literally is.

From everyday emotions to aesthetic emotions: Towards …

The portrait is 37 5/8 by 29 ½ inches and is an oil on wood( Metropolitan Museum of Art, 1999).
Idealists hold that musical works are mental entities. Collingwood(1938) and Sartre (1940) respectively take musical (and other) worksto be imaginary objects and experiences. The most serious objectionsto this kind of view are that (i) it fails to make worksintersubjectively accessible, since the number of works going underthe name The Rite of Spring will be as multifarious as theimaginative experiences people have at performances with that name,and (ii) it makes the medium of the work irrelevant to anunderstanding of it. One might have the same imaginative experience inresponse to both a live performance and a recording of The Rite ofSpring, yet it seems an open question whether the two media areaesthetically equivalent. But see Cox 1986, and Cray & Mathesonforthcoming, for recent attempts to revive idealism.


Aesthetic - definition of aesthetic by The Free Dictionary

The Act of Reading: A Theory of Aesthetic Response. Baltimore: John Hopkins UP, 1974.
Whatever this account’s intrinsic plausibility, I do not think it does justice to Kant’s overall position. This for two reasons: First, it conflicts with Kant’s insistence that aesthetic pleasure be ; second, it bases this pleasure in the rational concept thematized in the work, rather than in the subjective form of aesthetic experience itself.

Manchester UP, 1978 - argues that poetry “is resolutely artificial, even when it tries to imitate the diction and cadences of ordinary speech”
New York: Holmes and Meier, 1977 (argues that in approaching a work of literature that involves an “exo-cultural” character or theme we must take into account the “culturally conditioned imagination” on the creation of a work of art) PR 408 .S64 E25

Aesthetic dictionary definition | aesthetic defined

For Stanley Fish (Is There a Text in this Class?, Surprised by Sin: The Reader in "Paradise Lost" and Self-Consuming Artifacts: The Experience of the Seventeenth-Century Reader), the reader's ability to understand a text is also subject a reader's particular "interpretive community." To simplify, a reader brings certain assumptions to a text based on the interpretive strategies he/she has learned in a particular interpretive community.

Aesthetic | Definition of Aesthetic by Merriam-Webster

For Rosenblatt and Richards the idea of a "correct" reading--though difficult to attain--was always the goal of the "educated" reader (armed, of course, with appropriate aesthetic apparatus).

The noun aesthetic is often found used in its plural form

Rather than forming a backdrop, the many discourses at work at any given time affect both an author and his/her text; both are inescapably part of a social construct.

Plato's Aesthetics - Rowan University

In contrast, New Historicism views history skeptically (historical narrative is inherently subjective), but also more broadly; history includes all of the cultural, social, political, anthropological discourses at work in any given age, and these various "texts" are unranked - any text may yield information valuable in understanding a particular milieu.